Wednesday, 5 January 2011
Playing the Radias
I played on the first floor of the artists' studios on South Beach on December 2, 2010. Carl took the video early in the evening. It was an excellent time. This is my setup right now.. the Korg Radias, which i control through my EMU Xboard-25, with the KP2 FX hooked up to the mic, running Cubase on Carl's PC with beats, songs and sounds that I produced in Ableton. The sounds that come out of that Radias, I am amazed by.
Monday, 27 December 2010
Wednesday, 15 December 2010
Another Exquisite Corpse
Ending twilight Omega rising
Dusk from beyond
Your handwriting beckons retrospect re-connect
dissecting my voice with broken chords
Cadences Stile brisee Chaotic order ringing monophony
Transport telepathic phone call in fugato style
Mezzoforte sotto voce Believe what I say there are
no coincidences Only fate can check mate
Feel the pulp in every gulp
Of newspaper, today's headline reads...
Underwater, the planet breathes
Exhaling innocence divine haloes of the sacred mind
A circle within a circle a frame to find
An eye a face a trace a smile a style to define
A line figuratively alive
And round the ground bass magic of sound
variations abound movements, the twelfth fold
division of the octave sounds
referencing your mind tangled twine
spaghetti bliss first last kiss Forever is infinite
lest we forget... Alpha every Pythagorean comma
Moments bi-furcate, years conquer fears as the
Neopolitan ice cream icicles trickling tetrachords
Only us. Vibration and the subconscious of mother, collective
Earth, Inhabitants abide
She gives birth to a sigh absorbing the noosphere,
the universal mind's ear, everywhere alpha, the omega
is near, i hold you most dear within time's imperfect
sphere, this is why we are H E R E A C E G B D
the thirds are seeds Evolving Simean beings
Listening actively to the ringing in their ears!
Intrinsic music of the spheres Muses
three-fold may be SONG, PRACTICE, MEMORY.
by Carl and I
Dusk from beyond
Your handwriting beckons retrospect re-connect
dissecting my voice with broken chords
Cadences Stile brisee Chaotic order ringing monophony
Transport telepathic phone call in fugato style
Mezzoforte sotto voce Believe what I say there are
no coincidences Only fate can check mate
Feel the pulp in every gulp
Of newspaper, today's headline reads...
Underwater, the planet breathes
Exhaling innocence divine haloes of the sacred mind
A circle within a circle a frame to find
An eye a face a trace a smile a style to define
A line figuratively alive
And round the ground bass magic of sound
variations abound movements, the twelfth fold
division of the octave sounds
referencing your mind tangled twine
spaghetti bliss first last kiss Forever is infinite
lest we forget... Alpha every Pythagorean comma
Moments bi-furcate, years conquer fears as the
Neopolitan ice cream icicles trickling tetrachords
Only us. Vibration and the subconscious of mother, collective
Earth, Inhabitants abide
She gives birth to a sigh absorbing the noosphere,
the universal mind's ear, everywhere alpha, the omega
is near, i hold you most dear within time's imperfect
sphere, this is why we are H E R E A C E G B D
the thirds are seeds Evolving Simean beings
Listening actively to the ringing in their ears!
Intrinsic music of the spheres Muses
three-fold may be SONG, PRACTICE, MEMORY.
by Carl and I
Thursday, 9 December 2010
recollection of some days
watery nature
everything from the same source
monogenesis
symbol equal to word
eye am not here and eye am not self.
sparkles on the water
vivid in the wind
Breathe our planet's breath
good day for a rainbow
slow beat heart motion
planet mathematics
microscopic pupil, center focus, background language
Harpsichord fingers in the digital realm
Welcome to our quality time, never ending bell
Eyes want to tell about the wind chimes__
observing wings in movement, adrift
Rhythm up with tidal wave, a spiral staircase to the
unseen; Ensō prism research, geometric tears
Nonordinary reality (to become a man of knowledge)
Poet language monteur
Morning events, azure overhang, cast eyes upward
looking for the everseen
swooned by midday captured enraptured
undefined senses of being on loudspeakers
Magic of mechanics, roots absorbed and never solid.
everything from the same source
monogenesis
symbol equal to word
eye am not here and eye am not self.
sparkles on the water
vivid in the wind
Breathe our planet's breath
good day for a rainbow
slow beat heart motion
planet mathematics
microscopic pupil, center focus, background language
Harpsichord fingers in the digital realm
Welcome to our quality time, never ending bell
Eyes want to tell about the wind chimes__
observing wings in movement, adrift
Rhythm up with tidal wave, a spiral staircase to the
unseen; Ensō prism research, geometric tears
Nonordinary reality (to become a man of knowledge)
Poet language monteur
Morning events, azure overhang, cast eyes upward
looking for the everseen
swooned by midday captured enraptured
undefined senses of being on loudspeakers
Magic of mechanics, roots absorbed and never solid.
Monday, 15 November 2010
TRANSLATION
this is an exquisite corpse Carl and I wrote:
the identity element is the numerical god particle
there is a noise key of granulated fibers, light implosions holographic
symposium, syntax spicy grace notes, muse physics ewe's physique
ballet mecanique, Lusitania transatlantic, underground stations
rejuvenating vibration. layering bridges, diapason
harmonics hold me invisible in the dim pedernal night
four elements show the way of existence to the neophyte
individual mind omnipotence, collective mind omnipresence, transcendence
negating opposition. imperfect beauty. feedback awake, zarathustra
love tangents four epic chords vocalizing dreams' lucidity
digital divinity
welcome to infinity concentric circle
sacred spiral
empirical denial
let's gather for a nightcap
fermented monocotyledon
plant a garden of myself
Beside the Alpha and Omega
broken branches in the brain
freedom through hunger
wisdom through pain
fire in the heart
the liquor from the golden
unicorn's bridal cup*
blood is wine, never can have enough
omni-tonality harmony basso Continuo D.C. al coda dominant
prolongation sound check becomes second development
first movement sonata form, second movement
rondo variation tree forms life giving wind leit motive
of your mind brushing the leaves extra skycommunication
one stroke method by far gone star frankincense & myrrh
message to be heard three to five words on a wire
why are we now? in a non-existent time existential spine and vein
transmit the rondo's refrain, what's more to explain.
tell me first, is it Transmit the rondo's rhyme or refrain?
*referenced from a silent film called Destiny (Der Müde Tod) directed by Fritz Lang, 1921
the identity element is the numerical god particle
there is a noise key of granulated fibers, light implosions holographic
symposium, syntax spicy grace notes, muse physics ewe's physique
ballet mecanique, Lusitania transatlantic, underground stations
rejuvenating vibration. layering bridges, diapason
harmonics hold me invisible in the dim pedernal night
four elements show the way of existence to the neophyte
individual mind omnipotence, collective mind omnipresence, transcendence
negating opposition. imperfect beauty. feedback awake, zarathustra
love tangents four epic chords vocalizing dreams' lucidity
digital divinity
welcome to infinity concentric circle
sacred spiral
empirical denial
let's gather for a nightcap
fermented monocotyledon
plant a garden of myself
Beside the Alpha and Omega
broken branches in the brain
freedom through hunger
wisdom through pain
fire in the heart
the liquor from the golden
unicorn's bridal cup*
blood is wine, never can have enough
omni-tonality harmony basso Continuo D.C. al coda dominant
prolongation sound check becomes second development
first movement sonata form, second movement
rondo variation tree forms life giving wind leit motive
of your mind brushing the leaves extra skycommunication
one stroke method by far gone star frankincense & myrrh
message to be heard three to five words on a wire
why are we now? in a non-existent time existential spine and vein
transmit the rondo's refrain, what's more to explain.
tell me first, is it Transmit the rondo's rhyme or refrain?
*referenced from a silent film called Destiny (Der Müde Tod) directed by Fritz Lang, 1921
Saturday, 6 November 2010
Tuesday, 2 November 2010
Monday, 1 November 2010
TIME TRAVELERS
Break the bonds with more bonds still to fray, as you are gone only this day, of which no time remains. Because now is yesterday, and forty seconds become sculpted as years of clay, as now i speak, now i scream and whisper the same. As we file through these fractions, all the while we fill the blanks and say, spelling out our arguments with underlined words and punctuation. I exclaim as you refrain, become pixelated in your face, water buckets in the well, swimming, we detain. Chiseling our quarries still, fills me with much disdain, I am spoken, from whispers I refrain as points and abbreviations come to claim. I am you but where are we, as filled with eternal marble debris, pious porn impeccable peach by which we are beseeched. Still I look on feather quills with weathered eyes of where to be, what's to come, and what's to say, because for you now is yesterday.
By the vibrate formed irate swallowed senseless form of guilt.
Wallowed up inside the duct tape scraping at the mouth.
Your face is pixelated, silent echoes are reverberated.
Icicles anticipated with spaghetti on the brain.
Parched in pieces, spare but one penny for my jar.
So I know that soon we will conclude, just as this spice still eludes
I am me and you are you and reversal of us
plus two is sure to never make it through, sidewinding seven zeroes, equals my embrace.
Up to par, we are far, hours of pennies in my jar, a chance, I may have this dance, with some sergeant sold, and spent.
Take a second out for goodness' sake as into the glass the copper breaks, as I am last in line again, you are third, as we combine the word. Vocals become text as I was last, now I'm next fulfilling backbones bent and spines tangled, the wires of our brains become a mangled mess as we are transported telepaths through squares and dare not ask why. The filaments fry, embossed with curves and scents that cost us cells.
You tell us so much of what's inside your spaghetti's recipe and such, from the place that has been carved out of your maple face, grains I trace in ellipses on their axes. Converted mixed and sniffled rosemary, a rhombus hazel craze of 'hope'. Tourist, why did you underline navel, put a dot next to a less than sign. These sine wave ripples never end, frequencies of the LFO's bend, we all follow the robot trend, desensitized from hours as they turn to seconds.
See you tomorrow in five years, dive into the blue planet with open ears, see you in Venus' hollow sphere, contrived, a castle, forlorn to hear.
-2008 performance piece.. "HERE IS THERE"
By the vibrate formed irate swallowed senseless form of guilt.
Wallowed up inside the duct tape scraping at the mouth.
Your face is pixelated, silent echoes are reverberated.
Icicles anticipated with spaghetti on the brain.
Parched in pieces, spare but one penny for my jar.
So I know that soon we will conclude, just as this spice still eludes
I am me and you are you and reversal of us
plus two is sure to never make it through, sidewinding seven zeroes, equals my embrace.
Up to par, we are far, hours of pennies in my jar, a chance, I may have this dance, with some sergeant sold, and spent.
Take a second out for goodness' sake as into the glass the copper breaks, as I am last in line again, you are third, as we combine the word. Vocals become text as I was last, now I'm next fulfilling backbones bent and spines tangled, the wires of our brains become a mangled mess as we are transported telepaths through squares and dare not ask why. The filaments fry, embossed with curves and scents that cost us cells.
You tell us so much of what's inside your spaghetti's recipe and such, from the place that has been carved out of your maple face, grains I trace in ellipses on their axes. Converted mixed and sniffled rosemary, a rhombus hazel craze of 'hope'. Tourist, why did you underline navel, put a dot next to a less than sign. These sine wave ripples never end, frequencies of the LFO's bend, we all follow the robot trend, desensitized from hours as they turn to seconds.
See you tomorrow in five years, dive into the blue planet with open ears, see you in Venus' hollow sphere, contrived, a castle, forlorn to hear.
-2008 performance piece.. "HERE IS THERE"
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